Jewish Music Forum – Contesting Boundaries
The role of music has been central to defining a new diaspora identity within the Jewish community. For Moroccan Jews in one synagogue community in Brooklyn, the performance of liturgical, para-liturgical, and folk repertoires memorializes the homeland and galvanizes the boundaries of a distinctive Jewish ethnic community. The freedom or freedom space (as well as time) produced by the concentrated context of ritualized performance encourages a social experience whereby community members are actively joining up (Turino 2004:7). Musical expression successfully transmits emblems of identity – through icons and indices (ibid.:13) – precisely because the concentrated setting of ritual demands group consciousness.
Different constituencies within the community represent generational and cultural distinctions – immigrants from Morocco, Israel, and France – with similar ideas about what constitutes a Moroccan Jewish identity. Members of these constituencies are employing musical expression as a means for contesting the boundaries of Moroccan Jewish identity, including the juxtaposition of additional Jewish identities (Orthodox Jewish, Israeli, and Sephardic).
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